The Vespertine by Saundra Mitchell
Amelia is looking forward to a summer in the city of Baltimore, far from her tiny home of Broken Tooth, Maine. Staying with relatives, it is the goal of Amelia's summer to come away engaged to a young man (or such is her brother's goal in sending her there). In 1889, Amelia knows there are few options open to her besides marriage, and so goes with the excitement of a trip before her, and summer away from her father and sister-in-law (her parents being dead).
Amelia finds a great friend in her cousin Zora, who has a bit of a mind for trouble as well. The two finish school and then the real joy of the summer begins; two young women, free from classes, looking forward to their futures.
Zora is excessively fond of Thomas Rea, the doctor's son, and knows that she and Thomas cannot marry until he is finished with school, for he must have a way to support a wife. Amelia is immediately taken with a Fourteenth (a young man hired to make a dinner table sit 14 instead of an unlucky 13), Nathaniel Witherspoon, starving artist. It is not the match Amelia is expected to make. Stolen moments throughout the summer, however, bring the two closer together.
Sounds like just another period young adult romance, no? It's definitely more.
The book opens with Amelia being locked in the attic of her brother's house in Maine in the fall of 1889, after her trip to Baltimore. She reveals dark details of why she has been locked up, why she was sent away from Baltimore, and the agony Amelia is living in, trapped.
Mitchell then flashes back to the summer of 1889 and Amelia's arrival and introduction to the family she will be living with. Witty remarks endear Amelia to Zora immediately, and not long after Amelia arrives, she has the strangest vision as she stares into the sunset from the parlor, a vision of Zora & Thomas dancing together. When this comes true, Amelia confesses to Zora and the two begin sharing Amelia's abilities with their friends. Once the word spreads, a number of young women are clamoring for Amelia to tell their futures.
It's fun, at first, but then Amelia begins to see darker futures, mundane futures, and when she starts writing down what she sees, she dreads the visions. Once, she thinks she is able to avert tragedy, but it can never be so easy as that, as Amelia reminds us when she cuts back in from the present.
Nathaniel is not quite what he seems either, able to seemingly suddenly appear when Amelia thinks of him, calls to him. He is mysterious and entirely inappropriate for her, but the two appeal to each other more than either can explain.
When the first tragedy strikes, Amelia is shocked, as it's a future she thought she had prevented. The trouble is, Amelia could not see how this one future plays into the rest of the futures surrounding her and her world begins to tumble down. The sad events happen quickly and discover why Amelia is sent home.
The story, beginning with Amelia in Maine after the events have taken place, leave the reader constantly wondering just what happened to have her returned home, and ruined. It is an easy story to read, one that keeps the reader intrigued and involved, and the sad Gothic nature of it make the reader wish for a happy ending. A different than expected ending occurs, one that works well with my reading tastes. All in all, The Vespertine is a book I would recommend to young adult readers who like historical fiction and a bit of supernatural. It reminded me a little of Libba Bray's A Great & Terrible Beauty, but The Vespertine does not delve as much into the supernatural world as Bray's trilogy. A worthwhile story that leaves the reader with chills.
Amelia finds a great friend in her cousin Zora, who has a bit of a mind for trouble as well. The two finish school and then the real joy of the summer begins; two young women, free from classes, looking forward to their futures.
Zora is excessively fond of Thomas Rea, the doctor's son, and knows that she and Thomas cannot marry until he is finished with school, for he must have a way to support a wife. Amelia is immediately taken with a Fourteenth (a young man hired to make a dinner table sit 14 instead of an unlucky 13), Nathaniel Witherspoon, starving artist. It is not the match Amelia is expected to make. Stolen moments throughout the summer, however, bring the two closer together.
Sounds like just another period young adult romance, no? It's definitely more.
The book opens with Amelia being locked in the attic of her brother's house in Maine in the fall of 1889, after her trip to Baltimore. She reveals dark details of why she has been locked up, why she was sent away from Baltimore, and the agony Amelia is living in, trapped.
Mitchell then flashes back to the summer of 1889 and Amelia's arrival and introduction to the family she will be living with. Witty remarks endear Amelia to Zora immediately, and not long after Amelia arrives, she has the strangest vision as she stares into the sunset from the parlor, a vision of Zora & Thomas dancing together. When this comes true, Amelia confesses to Zora and the two begin sharing Amelia's abilities with their friends. Once the word spreads, a number of young women are clamoring for Amelia to tell their futures.
It's fun, at first, but then Amelia begins to see darker futures, mundane futures, and when she starts writing down what she sees, she dreads the visions. Once, she thinks she is able to avert tragedy, but it can never be so easy as that, as Amelia reminds us when she cuts back in from the present.
Nathaniel is not quite what he seems either, able to seemingly suddenly appear when Amelia thinks of him, calls to him. He is mysterious and entirely inappropriate for her, but the two appeal to each other more than either can explain.
When the first tragedy strikes, Amelia is shocked, as it's a future she thought she had prevented. The trouble is, Amelia could not see how this one future plays into the rest of the futures surrounding her and her world begins to tumble down. The sad events happen quickly and discover why Amelia is sent home.
The story, beginning with Amelia in Maine after the events have taken place, leave the reader constantly wondering just what happened to have her returned home, and ruined. It is an easy story to read, one that keeps the reader intrigued and involved, and the sad Gothic nature of it make the reader wish for a happy ending. A different than expected ending occurs, one that works well with my reading tastes. All in all, The Vespertine is a book I would recommend to young adult readers who like historical fiction and a bit of supernatural. It reminded me a little of Libba Bray's A Great & Terrible Beauty, but The Vespertine does not delve as much into the supernatural world as Bray's trilogy. A worthwhile story that leaves the reader with chills.
Labels: female characters, historical fiction, supernatural, young adult
posted by austentatious at 3:46 PM
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